Posts by Chris:
- The History of Exploration
- The Literature of Exploration
- The Mythology of the Underworld
This past November, Never Apart helped me bring literary legend Felice Picano to Montreal for a frank on-stage discussion about his work.
I was thrilled they trusted me with this, and I hope it’s the beginning of many more such events. There are so many great writers I’d like to bring to town, and it’s great to have a community partner ready to lend a hand to make that happen.
I first discovered Picano in the pages of The Violet Quill Reader, an anthology featuring work from the storied group of seven gay male writers that met in New York in the early 1980s. Even though the group got together met a handful of times, some of their members went on to write the most important books of the post-Stonewall era.
I’ve now met all three of the surviving members: Felice Picano, Andrew Holleran and Edmund White. Picano is by far the most prolific of the group. Not only did he publish more than 30 books, he was also the co-owner of two of North America’s first gay presses: Seahorse and Gay Presses of New York (you can read all about this time in the fascinating Art and Sex in Greenwich Village).
Felice Picano was generous enough to agree to come to Montreal to speak with me about his legacy in front of an audience. Never Apart filmed the interview and uploaded it online. You can watch it below.
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As New Horizons quickly approaches Pluto (112 days as I write this), the SETI Institute is looking for the public’s help in naming the dwarf planet’s craters, ridges, channels, volcanoes and various other features (as well as those on its moon Charon).
I find this exciting.
People can submit names centred around three different themes:
The Mythology of the Underworld makes great sense, as Pluto is the God of the Underworld. There are so many obvious choices. For one, there should definitely be an Elysian Fields – the place the virtuous go when they die. And wouldn’t it be fun if some features were named after popular imaginings of the Afterlife: The Summerland for Wiccans, The Heaviside Layer for cats, Sto’Vo’Kor for Klingons.
I also like the idea of naming its geographical features after literary characters. I know it’s a stretch, but how great would it be if something got named after a character from my book? The Geography of Pluto is a literature of exploration, and Will Ambrose is a modern-day geographer.
Ambrose Canyon perhaps?
I’d love to get Will up there somehow. I’m not so full of hubris to think my work deserves a place on Pluto, but still, is there not an inch of that planet he could claim?
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Do you remember where you were when you first heard that Pluto wasn’t a planet anymore?
I don’t. But I do remember how I felt. It was a surprise, a shock. Like being told there is no Santa Claus. No Easter Bunny. No God. “There are only eight planets now in our solar system,” the scientists had said. And this fact would now be taught in schools. Suddenly, a fundamental part of my solar system was no longer invited to the table.
I might be being a tad dramatic, but the loss of Pluto did represent something significant for me. It was the dismantling of a long-held belief system; a symbol of the end of innocence. It proved that nothing – not even a constant out there in the universe – is forever. And it caused me to pose more questions where I thought we had all the answers.
What is Pluto if not a planet?
It turns out that Pluto is a proto-planet, frozen at a stage of development that all of the planets in our solar system went though. It is just one, perhaps the largest, of many objects in the Kuiper belt – an enormous region of space made up of small remnants from the early days of our solar system’s formation.
I have soft spot for Pluto and you will see why if you read my book. Pluto is the only other planet in our system with a personality. It’s the consummate outsider, living at the far end of our solar system looking in. It’s the misunderstood teenager listening to music in the basement. The underdog. The one who writes poetry. The one no one understands. The one everyone is trying to define.
Pluto is also the only planet in our solar system that has yet to be studied or photographed up close. All that is about to change. A satellite called New Horizons is currently on its way to visit the dark planet. It was launched in early 2006, before Pluto was declassified. It has set the record for the fastest man-made object ever made. And slowly, over the past nine years, it’s been inching its way towards its destination.
New Horizons will arrive soon, on July 14, 2015 (watch New Horizon’s Pluto flyby).
When it arrives we are going to learn so much more about our solar system and how it was made. I find that poetic. That we have a lot to learn from the outsider. That we are just like him at our core.
I know that this will not be the end of the story. Pluto lost its status so fast, it could regain it again just as quickly (Alan Stern, the chief scientist of the New Horizons mission recently challenged famous astrophysicist Neil deGrasse Tyson to a debate on Pluto’s planethood). And I know I am not the only one whose imagination has been captured by this, who is rooting for Pluto to take its rightful place in the sky.
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Yesterday, the New Horizons space probe crossed Neptune’s orbit. About a month ago it snapped this distant shot of the gas giant (and its moon, Triton) from a distance of 2.45 billion miles. This is the last major crossing the vessel will have until it gets to Pluto on July 14, 2015.
So I assume things will be quiet for New Horizons for a while.
Things are quieting down for me too. The Geography of Pluto has been out for four months and things are beginning to slow down. I couldn’t be happier with the press I’ve received, with the emails I’ve been getting from people who’ve read the book. But I have to find new ways to keep the novel alive, to keep the solar winds in its sails.
But one thing I am going to take a break from – for the moment – is public readings. I’ve done seven of them in the last four months and am exhausted.
I have learned many things about readings so far. I’ve learned that it’s important not to rush through your passage, no matter how quickly you want it to be over. I’ve learned to breathe between the words. I’ve learned that not all excerpts, not even your favourites, are appropriate to real aloud. I’ve learned that dialogue is particularly hard to read, as the audience doesn’t always know who is speaking. I’ve learned that I get uncomfortable reading sex scenes in public. I’ve learned that short and sweet is really the best, and that funny passages work better than anything else.
I have also learned that you can’t predict how things will turn out, and that not every promotional idea works. When I first launched the book I came up with a “support your local bookseller” initiative. In order to encourage people to shop locally, I offered an added incentive to those who bought Pluto from a brick-and-mortar store: a personalized postcard or video message from me. So far only one person took me up on it. Not sure why. Perhaps word never got out. Or perhaps the offer was not that appealing. Still, I’m glad I tried something.
Over the next few months I’m going to test out some new promotional ideas to propel Pluto a little further on its voyage. So it’s not just floating in empty space.Image Credit:
NASA/Johns Hopkins University Applied Physics Laboratory
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This is one of the first interviews I did for the book. I’ve known Dimitri Nasrallah for many years now. We first met in 2005 when I was the QWF’s publicist and he won a literary award for his book Blackbodying. He’s always been such a great supporter of Quebec literature. Currently he is the fiction editor at Véhicule Press and the host of a new books-related TV show called Between The Pages. I was thrilled to be asked to join him and other Montrealers Heather O’Neill and Gregory McCormick for a discussion of the literary mythology of our city and how we are adding our voices to that rich cultural legacy.
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